The Princess & The Pauper
Two beautiful girls who look identical. One is the princess, the other is the daughter of a very poor family who live in the castle town. The two girls meet one day, discover that each is sick and tired of her life, and agree to switch places. The story then follows the princess-turned-pauper. Let's call the princess Sayumi and the peasant Ayumi. And let's suppose that both girls have just turned 17 years old.
Sayumi dons Ayumi's rags and heads back to her new home in the slums. When she arrives, she is eager to meet her new family, but is gruffly greeted by her new parents. Her mom asks what took so long (Ayumi had been sent grocery shopping) and her dad tells her to get a move on or she's gonna be late for work. Sayumi doesn't want to blow her cover of course, so she merely nods her head and follows her two younger sisters out the door.
Keiko is the middle sister, age 15. She's like the token "library girl" -- she wears glasses, has long dark hair, is tall and slender, etc. Ai is the youngest sister, age 14. She has twin ponytails, one on each side, and is rather shapely for her age. She's the energetic type who's always got a big-mouthed, bright-eyed smile on her face.
Sayumi follows Keiko-chan and Ai-chan down the street. She has no clue where they're headed, of course. Neither Keiko nor Ai recognize that this is not their sister Ayumi, but they do notice that something seems to be wrong, and they ask Sayumi if she's feeling okay, did she hit her head or something, etc. Those sorts of things.
When the girls lead Sayumi down a disgusting, dark alleyway, she asks them what's going on. They look at their sister, puzzled, and say, "What are you talking about, Nee-chan?" Besides, they tell her: we're almost there. At the end of the alley is a dilapidated building with a thick, wooden door in front. Keiko knocks on the door three times, a visor slides open, two mean eyes peer out at the girls, the visor slams shut, and the door opens.
It looks sort of like a shady pub or a tavern of some sort. Sayumi's creeped out. But Keiko looks calm and Ai looks happy as ever. "Gidou-san!" she calls out. Giggling, she skips over towards a large, bearded, muscly man ... she jumps squarely onto his lap ... and she gives him the sluttiest kiss Sayumi's ever seen.
Sayumi begins to put two and two together as she witnesses not just Ai-chan but Keiko-chan as well having sex with the patrons of this bar. It follows the usual formula (fellatio and paizuri first, followed by cunnilingus, followed by vaginal penetration, followed by anal + oral penetration), and Sayumi can do nothing but simply watch, frozen in horror by what she's seeing: these dirty old men are raping her new sisters! Except ... it's not r*** ... it's ... something much worse ...
Sayumi bolts for the door. A man shouts after her -- "AYUMI!" -- but she rips it open and flees down the alley, running as if her life depended on it. Lost and confused, she wonders where home is. She thinks she remembers and begins to run down a familiar street. Eventually, she makes her way back home (good memory, girl!). Mom's nowhere to be seen, but there's Dad, sitting at the family's only table.
Before he knows what's hit him, Sayumi launches into her tirade. She demands an explanation from "Father" what all this nonsense is about. How can he prostitute his own daughters out like this? How sick do you have to be to do something like that? What a lowlife!
As she keeps ranting at him, Dad's patience wears thinner and thinner until finally he loses it. He gets up from the table, the chair flying back behind him, and menacingly approaches Sayumi. "I think you need to be taught a lesson, Ayumi."
He grabs at Sayumi's blouse and tugs it down, exposing one of her breasts. Sayumi shrieks. Dad interrupts the shrieking with a kiss. Sayumi pulls back in disgust. "Just what do you think you're doing?" she asks him. But Dad overpowers her and begins to r*** Sayumi. (Uh-oh!)
She struggles at first, but as happens in all the classics, she begins to wonder why her body feels good down there. What's with all these juices? Why is she tingling down there? Why, when this is so wrong, does she feel so good? Dad's fingering her vagina, groping her boob, and slobbering all over her mouth. Then, he stops. Sayumi asks him why he's stopping. He says that if she wants it, she needs to learn to show respect. "It's not 'Mr. Kimura,'" he tells her. "It's 'Otou-sama,' you bitch. Now say it!" And she manages a feeble "Otou-sama." Then he tells her, "Say, 'I want your dick inside me.'" Sayumi, confused and sobbing, chokes out, "I want Otou-sama's dick inside me" Then he says, "And it's not 'me', Ayumi. It's 'Ayumi'. Say your name! Say it properly!" So she repeats, "Ayumi wants Otou-sama's big, thick cock inside Ayumi's juicy, slutty pussy!"
"Good girl," he says. And he rewards her. Begin second act of this sex scene, wherein Sayumi -- now truly reborn as Ayumi -- is enjoying every minute of this. Off go her clothes. She's sucking on him, he's sucking on her, she's fucking him, he's fucking her, it's a big slutty sex scene.
Third to last page = the obligatory big orgasm page.
Second to last page = we see Mom talking to Dad at the family table. Just the two of them. Mom says to Dad, "Anata, how can you send Ayumi to work when she's 8 months pregnant?" Dad chuckles and says, "It's not me, dear! Ayumi said she wanted to do it! And besides, it's money, ain't it? The guys love Ayumi, too." "Oh, Anata," Mom chastises.
Last page = we see Sayumi (now living under the name "Ayumi"). Her tongue is lolled out. Her eyes rolled up a little. Her belly is big: she's pregnant. She's riding one man's cock while giving hand jobs to two other men. Out loud, she's moaning and begging for cum. Her internal dialogue is the last thing the reader sees. Sayumi says that she's finally discovered true happiness in life.
© me.
Two beautiful girls who look identical. One is the princess, the other is the daughter of a very poor family who live in the castle town. The two girls meet one day, discover that each is sick and tired of her life, and agree to switch places. The story then follows the princess-turned-pauper. Let's call the princess Sayumi and the peasant Ayumi. And let's suppose that both girls have just turned 17 years old.
Sayumi dons Ayumi's rags and heads back to her new home in the slums. When she arrives, she is eager to meet her new family, but is gruffly greeted by her new parents. Her mom asks what took so long (Ayumi had been sent grocery shopping) and her dad tells her to get a move on or she's gonna be late for work. Sayumi doesn't want to blow her cover of course, so she merely nods her head and follows her two younger sisters out the door.
Keiko is the middle sister, age 15. She's like the token "library girl" -- she wears glasses, has long dark hair, is tall and slender, etc. Ai is the youngest sister, age 14. She has twin ponytails, one on each side, and is rather shapely for her age. She's the energetic type who's always got a big-mouthed, bright-eyed smile on her face.
Sayumi follows Keiko-chan and Ai-chan down the street. She has no clue where they're headed, of course. Neither Keiko nor Ai recognize that this is not their sister Ayumi, but they do notice that something seems to be wrong, and they ask Sayumi if she's feeling okay, did she hit her head or something, etc. Those sorts of things.
When the girls lead Sayumi down a disgusting, dark alleyway, she asks them what's going on. They look at their sister, puzzled, and say, "What are you talking about, Nee-chan?" Besides, they tell her: we're almost there. At the end of the alley is a dilapidated building with a thick, wooden door in front. Keiko knocks on the door three times, a visor slides open, two mean eyes peer out at the girls, the visor slams shut, and the door opens.
It looks sort of like a shady pub or a tavern of some sort. Sayumi's creeped out. But Keiko looks calm and Ai looks happy as ever. "Gidou-san!" she calls out. Giggling, she skips over towards a large, bearded, muscly man ... she jumps squarely onto his lap ... and she gives him the sluttiest kiss Sayumi's ever seen.
Sayumi begins to put two and two together as she witnesses not just Ai-chan but Keiko-chan as well having sex with the patrons of this bar. It follows the usual formula (fellatio and paizuri first, followed by cunnilingus, followed by vaginal penetration, followed by anal + oral penetration), and Sayumi can do nothing but simply watch, frozen in horror by what she's seeing: these dirty old men are raping her new sisters! Except ... it's not r*** ... it's ... something much worse ...
Sayumi bolts for the door. A man shouts after her -- "AYUMI!" -- but she rips it open and flees down the alley, running as if her life depended on it. Lost and confused, she wonders where home is. She thinks she remembers and begins to run down a familiar street. Eventually, she makes her way back home (good memory, girl!). Mom's nowhere to be seen, but there's Dad, sitting at the family's only table.
Before he knows what's hit him, Sayumi launches into her tirade. She demands an explanation from "Father" what all this nonsense is about. How can he prostitute his own daughters out like this? How sick do you have to be to do something like that? What a lowlife!
As she keeps ranting at him, Dad's patience wears thinner and thinner until finally he loses it. He gets up from the table, the chair flying back behind him, and menacingly approaches Sayumi. "I think you need to be taught a lesson, Ayumi."
He grabs at Sayumi's blouse and tugs it down, exposing one of her breasts. Sayumi shrieks. Dad interrupts the shrieking with a kiss. Sayumi pulls back in disgust. "Just what do you think you're doing?" she asks him. But Dad overpowers her and begins to r*** Sayumi. (Uh-oh!)
She struggles at first, but as happens in all the classics, she begins to wonder why her body feels good down there. What's with all these juices? Why is she tingling down there? Why, when this is so wrong, does she feel so good? Dad's fingering her vagina, groping her boob, and slobbering all over her mouth. Then, he stops. Sayumi asks him why he's stopping. He says that if she wants it, she needs to learn to show respect. "It's not 'Mr. Kimura,'" he tells her. "It's 'Otou-sama,' you bitch. Now say it!" And she manages a feeble "Otou-sama." Then he tells her, "Say, 'I want your dick inside me.'" Sayumi, confused and sobbing, chokes out, "I want Otou-sama's dick inside me" Then he says, "And it's not 'me', Ayumi. It's 'Ayumi'. Say your name! Say it properly!" So she repeats, "Ayumi wants Otou-sama's big, thick cock inside Ayumi's juicy, slutty pussy!"
"Good girl," he says. And he rewards her. Begin second act of this sex scene, wherein Sayumi -- now truly reborn as Ayumi -- is enjoying every minute of this. Off go her clothes. She's sucking on him, he's sucking on her, she's fucking him, he's fucking her, it's a big slutty sex scene.
Third to last page = the obligatory big orgasm page.
Second to last page = we see Mom talking to Dad at the family table. Just the two of them. Mom says to Dad, "Anata, how can you send Ayumi to work when she's 8 months pregnant?" Dad chuckles and says, "It's not me, dear! Ayumi said she wanted to do it! And besides, it's money, ain't it? The guys love Ayumi, too." "Oh, Anata," Mom chastises.
Last page = we see Sayumi (now living under the name "Ayumi"). Her tongue is lolled out. Her eyes rolled up a little. Her belly is big: she's pregnant. She's riding one man's cock while giving hand jobs to two other men. Out loud, she's moaning and begging for cum. Her internal dialogue is the last thing the reader sees. Sayumi says that she's finally discovered true happiness in life.
© me.
by Sdeo's beautiful fan commission for me, I decided to sit my ass down and to pen a skeleton doujin. 